3254 Walnut St.
Denver CO, 80205
720.309.1764
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HINTERLAND is Sabin Aell and Randy Rushton. The term HINTERLAND originates in the german language, has been incorporated into the english vocabulary and means: Beyond what is visible or known.

HINTERLAND is where Sabin & Randy reside and where their studio is. HINTERLAND also includes a space for art, music, design related ideas.

The philosophy of HINTERLAND is to use as much salvaged material as possible and to recycle as much as possible.

It is time consuming and labor intensive to work with salvaged materials but it also saves a lot of money and makes things possible, which otherwise would not have been happening.

HINTERLAND gives room to artists who are different and share our interest in living energy efficient without consuming the ecological capital, the base from which all abudance flows.

HINTERLAND is part of RiNo Crow, the River North Art District.

CURRENT
DIE AUFGABEN DER BRUEDER

SCULPTURAL WORKS BY
BRADLEY BORTHWICK

Opening Reception
Friday, September 25
6pm

The exhibit will also be open for first Friday on October 2nd, from 6-9pm. To see the show by appointment - call Sabin Aell at 720-309-1764. Hinterland is located at 3254 Walnut Street in the Rino Art District.

Bradley Borthwick's sculptural involvement is an ongoing investigation of conceptual and material aspects of cultural artifacts. He is interested in how a range of formal and material references evokes the idea of the artifact; this evocation causes him to question his placement as an artist within contemporary Western culture.

His work is dedicated to the working of materials in an effort to develop a sensitivity and a reverence for traditional notions of endurance in physical form. The rediscovery of works in a temporally distant context provokes a mythology of the object and its maker, especially if the mark of the maker predominates the material character of the remnant. Simply stated, he compares traditions of fabrication from earlier commercial contexts to traditions upheld in the making of works of art. Borthwick's interest specifically rests with a pre-industrial aesthetic in utilitarian objects that are, in later times, often viewed as art.

bradleyborthwick.com